Racy, risqué and borderline obscene. This is is a British panto on queer steroids

Upbeat, positive, funny and shows a musical can come in any shape or form.

Despite a strong premise, it is hindered by an underdeveloped narrative and characters that are difficult to sympathise or empathise with.

An admirable attempt at blending European Symphonies with Beijing Opera, but lacks key characteristics of the latter.

A slightly disorienting but nonetheless an enjoyable and innovative experience through time.

A loveable production with the potential to become utterly swoon-worthy.

Authentic exploration into the frustration and aspirations of people in the social system.

A remarkable piece of theatre full of side-splitting Monty Python-esque farcical moments with an important message at its core.

Interrogates the purpose of life and the ultimate question of what makes us human.

Supported by a clever and sparklingly polished concept, this is the golden ticket for anyone looking for a delightfully camp night.

Struggles to find a consistent rhythm and offers a superficial exploration of an pertinent topic.

Comedic yet heartfelt exploration of the immigrant experience, family dynamics, and cultural identity.

Despite its messiness, it is still a perfect blend of pure comedy gold.

Surprisingly little progression over two hours.

A meaningful exploration into the perception of homosexuality ad how these differ between generations.

A dazzlingly zany comedy triumph from your new favourite American princess.

The kind of show no trip to the Fringe is complete without: it’s charming, good natured, utterly bonkers fun.

Prepare to be well and truly gooped by this gwymsical, high camp comedy romp.

A promising new musical that’s quintessentially British, but some ideas are left underbaked.

A clever, tight and entertaining hour that’s sure to delight Kate Bush loyalists and non-believers alike