Embeds the most fascinating tales in everyday life.

Challenges the very foundation of morality and legality, standing on the intersection of emotions and principles.

Applaudable attempt at communicating scientific principles and impact, but struggles to strike a balance among educational facts, connections and emotions.

What a journey this is. A raw and personal story that must be heard and amplified.

For all the sharpness of weaponry available to the characters, this revival lacks a certain keen edge.

Actress, comedian and musician, Riki Lindhome brings her new musical comedy, Dead Inside, to the London stage

Thoughtful, emotionally resonant and a reminder of how imaginative community theatre can be.

Spins a journey of discovery for one, and a cautionary tale of catfishing for everybody else.

Lost in a deadlock amongst classism, desire and reality, but no real end game.

Offers genuine moments of reflection and engages with a range of complex themes.

Promising new theatre production that depicts the many facets of Edgar Allan Poe.

Just like a ballad, this musical will continue to evolve and pass into legend.

A sparkling score, genuine heart, but in need of some hemming.

An excellent story told with ferocity and conveys the importance of unity and determination.

Though a worthwhile topic, it did not develop sufficient connections and emotions to allow the concept to stand on its own legs.

Emotionally engaging and haunting in all the right ways.

A phenomenal story featuring a gut-wrenching performance by Ollie Maddigan, the Olive Boy is a sensational journey to mask, accept and overcome grief.

Developed with so much heart and a pendulum swinging between one step forward and two steps back.

The most chaotic and unhinged show of the year.

Through their characteristic high camp humour, Linus Karp and Joseph Martin from Awkward Productions are determined to dial up the absurdity of their new show to the max.