Unforgettable. It looks past the disease and focus on the man and the life he had.

Makes each one of the five-hundred-twenty-five-thousand-six-hundred-minutes count. This production of Rent has certainly paid its due and then some.

Excels in its expression of the Chinese culture, but struggles to establish its identity beyond the comedy.

Simultaneously absurd and genius. Provocative in every sense.

With some excellent songs penned by Sting, there’s potential in this musical, but The Last Ship doesn’t quite stay afloat.

With the spoken dialogues doing just enough to convey a basic story, the choreography does the bulk of the heavy lifting.

Raunchy, fully of smut, and a well lubricated show with a climatic finish.

Unapologetic and unafraid to show the harsh reality of what life could be like.

Sits on the fence and leans too much into subtleties instead of pushing the narrative to create bigger and more emotional impact.

An utterly wild show that is firmly anchored to its comedic roots.

A beautifully preserved story of Jane Eyre’s journey. Gold standard on how to depict character evolution.

A perfect summertime treat. The production discovers the beauty in the madness.

Delivers more of a playful nibble than a committed bite.

Though it hits some of the right notes with a star-studded cast, it is certainly not pitch perfect.

A celebration and a great selection of song that pays tribute to a world class talent.

Asks compelling questions, but formulaic and superficial in its exploration of deeper issues.

Heartfelt and utterly devastating. Highlights the loneliness of a dementia patient’s journey.

A collision of art, science and detection. A true pursuit for passion.

Even though it got a little gritty with some of its creative choices, it struck gold on the story.

A one-man show about football, masculinity, and belonging to a new audience before it bids “flarewell”.