An epic tale starved of tension and excitement.

The show may be about love, but this is unfortunately just a one-night stand.

Despite strong musical performance, it lacks colour and purpose

Here we are…but does anyone deserve to be here for Here We Are?

The story needs refinement to create a emotional punch, but Fung has a sharp charisma that commands the stage.

Revolutionists struggled to find their voice and instigate change.

The festive charm is sadly diminished by a clunky story structure that left us ultimately feeling unmoved.

An admirable attempt at blending European Symphonies with Beijing Opera, but lacks key characteristics of the latter.

Struggles to find a consistent rhythm and offers a superficial exploration of an pertinent topic.

Surprisingly little progression over two hours.

Intriguing concept hampered by a lack of progression and emotional engagement.

A meaningful story diminished by some curious creative decisions.

Innovative fusion of ancient and modern elements, veering into convolution and disjointedness.

A passionate performance that slightly misses the mark of what could have been a hidden gem.

Lost in a swirling vortex of stereotype bigotry and prejudice.

Interesting premise let down by overly self-involved characters and jagged, non-overlapping stories.

Complex intercession between reality and dreams with less than impactful effects.

A disjointed message of freedom and revolution without a coherent narrative to link up the puzzle pieces.

The story of Rebus: A Game Called Malice is simply sick, but unfortunately, not in a good way.

A clickbait title and a storyline that is full of potential, but just like alternative facts, this production has no leg to stand on.