Interview with Aoife Keenan, actor and writer. Her new play, SCRATCHES was nominated for both an Offie and a VAULT Festival Award.

Refreshing, telling and destigmatises self-harm.

Complex intercession between reality and dreams with less than impactful effects.

Opens a less well-known dimension of football to both aficionados and novices.

Three siblings in an eerie country pub hit with a small dose of supernatural events. What can possibly go wrong?

Makes the audience see eye-to-eye with the people that the neurotypical world fails to see.

Combining master storytelling and puppeteering to send chills down one’s spine.

A recognition to the severity of home abuse and how it can be impossible to escape an abusive situation.

Fun, sexy and chaotic, capturing the essence of the wild Manchester gay night life.

Poetic and convoluted, difficult to distinguish the rants from the frustration.

Artfully navigating the boundaries of the supernatural, scares and comedy, but under-developed and leaving the audience feeling cheated.

Comical take on a less well-known figure. Enough to intrigue, but won't quite make history.

Robert Hotom, writer for Dumbledore is so gay, answers a few questions for us on the play and what inspired them to write this story.

A hilarious play that will make you wish for a time turner of your own to relive the experience.

Snappy, witty, and enjoyable self-contained scenario of events in need of further expansion.

An extended narrative on the lasting impact of a momentary encounter, in need of more fleshed-out side character development.

Enthusiastic and engaging performance in a natural family-oriented environment

It was just like…magic.

Impassioned historical production inviting you to see the underbelly of the society through the use of too "flowery language".

Multi-layered depiction of freedom and that independence is not granted, but achieved through one's own resolves and realisations.