Stereophonic

Duke of York's Theatre

Playing until 11th October 2025

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Photo credit: Marc Brenner

Stereophonic is an absorbing experience that brings the audience into the heart of a 1970s recording studio, capturing the intensity, artistry, and conflicts of a band striving for musical greatness. It offers a fascinating deep dive into the creative process, where perfection is chased, emotions run high, and every moment feels charged with potential.

One of the play’s most striking elements is its immersive nature. Rather than following a conventional plot, the story and script created by David Adjmi unfolds organically, resembling a documentary that reveals the messy reality of collaboration. The dialogue feels incredibly authentic as conversations shift between bursts of inspiration, heated disagreements, and introspection, reflecting the unpredictable rhythm of real life. Combined with Daniel Aukin’s direction, this approach allows the audience to sink into the band’s world, witnessing their struggles with a unique intimacy. The original songs penned by Will Butler convey the band’s struggles and the evolution of the band’s relationship, the song ‘Bright’ having been through multiple iterations, and also development of each member, creating a perfect symphony of emotions.

The performances are remarkable, both in spoken dialogues and musical talents, with each actor delivering a raw, believable portrayal that brings depth to the relationships on stage. Of note, Eli Gelb, Andrew R Butler and Chris Stack reprise the roles of Grover (sound engineer), Charlie (sound engineer), and Simon (drums and founder of the band), respectively, from the Broadway production.

Zachary Hart, Lucy Karczewski, Jack Riddiford and Nia Towle join the London production in the roles of Reg, Diana, Peter and Holly, respectively, as members of the band. These four characters offer different perspectives as they lock horns and the creative process of producing a new album begin to undermine their relationships. Peter’s pursuit for perfection in particular, begin to alienate other members of the band, of which Diana, his girlfriend, to be among the first victim of. Tension fills the air - ambition clashes with exhaustion and friendships flow between solidarity and friction - making even the smallest exchanges resonate. Chemistry among the cast is essential, and it shines through in every interaction.

The staging enhances this sense of realism further. The set design by David Zinn recreates the atmosphere of a recording studio complement with a soundproof booth, with instruments, mixing equipment, and a lived-in feel that grounds the production in authenticity. It draws the audience into the creative process, making every scene feel like a snapshot of something that could shape the band's future.

Patience is required with this production. At around three hours, it demands commitment, and its unconventional structure means the narrative doesn’t unfold in a traditional manner. But that mirrors the slow-burning nature of writing music, with deliberate silences throughout dotted throughout, where breakthroughs happen unexpectedly and inspiration emerges in quiet moments.

Stereophonic is not just about a band making an album; it explores the human dynamics behind the music. The sacrifices, frustrations, and fleeting moments of joy that define artistic ambition take centre stage. Anyone drawn to stories of creativity, collaboration, and the pressure of chasing something extraordinary will find this play deeply compelling.

Creatives

Playwright: David Adjmi

Original Songs: Will Butler

Director: Daniel Aukin

Scenic Designer: David Zinn

Costume Designer: Enver Chakartash

Lighting Designer: Jiyoun Chang

Sound Designer: Ryan Rumery

Hair and Wig Designer: Robert Pickens, Katie Gell

Music Director: Justin Craig

Producers: John Johnson, Seaview, Linden Productions, Ashley Melone, Nick Mills